- Title is generalized (doesnt actually state the name of the museum): this creates a sense of personal detachment from the museum which reinforces Skryzneckis apathy towards the place. This could also be double entendre/pun with the reference to folk possibly meaning his ancestors. - The references to worthless personify it as a pervasive, harmful entity - to use a cliché, his past is coming back to haunt him. - Skryznecki denies his past, believing it is irrelevant. This is tally with the fact that the imagery of the museum is particularly tedious and monotonous [e.g. ladder of artifacts (box iron, hay knife) bores the responder]. - The motif of colour imagery contrasts the dullness of the museum (grey nettled bottle) with the aesthetically pleasing nature of the Autumn Street offdoor(a) (yellow, brown). This works as a form of classic symbolization/juxtaposition of black/white, light/dark, good/evil, life/ death etc. The museum resembles the past, devoid o f liveliness and possibly while out of doors beyond the museum portrays the hope of the future.
- The imperfect cadence in the utmost line Would you please sign the Visitors Book? reveals two ideas almost Petes belonging status. (1) Due to immigration he is now a visitor in Poland and Australia - cultural purgatory. (2) The act of signing representation he will acknowledge his past, accept his culture and tinge some sense of belonging to a culture. - The alliteration in the final stanza is that of a soft, consonantal w sound. It is used to reflect Petes suspension in leaving the museum which implies Pete is moving on from hi s Polish heritable pattern and looking for! new entities to belong.If you want to get a replete(p) essay, order it on our website: BestEssayCheap.com
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